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Compositional Theory in the Eighteenth Century de Joel Lester
Descripción - Críticas This book should be required reading for courses that involve eighteenth-century theory in any way. And it will be of general interest to music theorists and musicologists, because the material covered is basic to those professions, is presented very well, and comes with a strong new point of view.--David Lewin, Harvard University Reseña del editor This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen Rameau's harmonic theories; and Mattheson's views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues--Haydn's careful study of Fux's treatise, Mozart's instructions on harmony to his composition students, Beethoven's own student exercises. The links between various theoretical traditions, the pervasive influence of Rameau's harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstood today. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. Contraportada This ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period. The result is the most comprehensive account ever given of the theory behind the music of late Baroque and early Classical composers from Bach to Beethoven. While giving preeminent theorists their due, Joel Lester also examines the works of over one hundred eighteenth- and seventeenth-century writers to show how prominent theories were received and applied in actual teaching situations. Beginning with the influence of Zarlino and seventeenth-century theorists, Lester goes on to focus on central traditions emerging from definitive works in the early eighteenth century: species counterpoint in the writings of Fux; thoroughbass as presented by Niedt and Heinichen; Rameau's harmonic theories and Mattheson's views on melodic structure. The author traces the development and interactions of these traditions over the remainder of the century, through the writings of Albrechtsberger, C. P. E. Bach, Kirnberger, Koch, Marpurg, Martini, Nichelmann, Riepel, and many others. This historical overview is leavened throughout with accounts of individual composers grappling with theoretical issues - Haydn's careful study of Fux's treatise, Mozart's instructions on harmony to his composition students, Beethoven's own student exercises. The links between various theoretical traditions, the pervasive influence of Rameau's harmonic thinking, and the harmonic theories of Koch are just some of the numerous topics given their first full treatment here. Many of the theorists Lester cites are either unknown or often misunderstoodtoday. By bringing their contributions to light and placing them within the context of theoretical tradition, Lester offers a fresh perspective, one that will inform and enhance any future study of this magnificent era in Western music. Biografía del autor Joel Lester, Professor of Music at the City College and the Graduate School, City University of New York, was violinist for the Da Capo Chamber Players from 1970 to 1991.
Compositional theory in the eighteenth century ebook get this from a library compositional theory in the eighteenth century joel lester american council of learned societies Compositional theory in the eighteenth century ebook compositional theory in the eighteenth century cambridge, mass harvard university press, 1992 dlc 92005083 ocolc25410337 material type document, internet resource document type internet resource, computer file all authors contributors joel lester Compositional theory in the eighteenth century compositional theory in the eighteenth century lester, joel libros en idiomas extranjeros
Pdf compositional theory in the eighteenth century in order to read online or download compositional theory in the eighteenth century ebooks in pdf, epub, tuebl and mobi format, you need to create a free account we cannot guarantee that compositional theory in the eighteenth century book is in the library, but if you are still not sure with the service, you can choose free trial service Compositional theory in the eighteenth century lester compositional theory in the eighteenth century lester, joel mx libros saltar al contenido principalmx prueba prime hola, identifícate cuenta y listas identifícate cuenta y listas devoluciones y pedidos prueba prime carrito libros ir buscar hola Google libros haz búsquedas en el mayor catálogo de libros completos del mundo mi colección editores información privacidad términos ayuda información privacidad términos ayuda
Detalles del Libro
- Name: Compositional Theory in the Eighteenth Century
- Autor: Joel Lester
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Compositional theory in the eighteenth century joel this ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period the result is the most comprehensive account ever given of the theory behind the music of late baroque and early classical composers from bach to beethoven while giving preeminent theorists their due, joel lester Compositional theory in the eighteenth century book, 1992 get this from a library compositional theory in the eighteenth century joel lester this ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period the result is Compositional theory in the eighteenth century reprint compositional theory in the eighteenth century reprint edition by lester, joel 1994 paperback joel lester libros
Compositional theory in the eighteenth century studies in compositional theory in the eighteenth century studies in the history of music joel lester libros en idiomas extranjeros Compositional theory in the eighteenth century lester this ambitious study offers a panoramic survey of musical thought in the eighteenth century and, at the same time, a close analysis of the important theoretical topics of the period the result is the most comprehensive account ever given of the theory behind the music of late baroque and early classical composers from bach to beethoven Compositional theory in the eighteenth century by joel lester compositional theory in the eighteenth century book read reviews from worlds largest community for readers this study offers a panoramic survey of mus
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